cyberpunk /si'ber-puhnk/ [orig. by SF writer Bruce Bethke and/or editor Gardner Dozois] n.,adj. A subgenre of SF launched in 1982 by William Gibson's epoch-making novel "Neuromancer" (though its roots go back through Vernor Vinge's "True Names" (see "True Names ... and Other Dangers" in appendix C) to John Brunner's 1975 novel "The Shockwave Rider"). Gibson's near-total ignorance of computers and the present-day hacker culture enabled him to speculate about the role of computers and hackers in the future in ways hackers have since found both irritatingly na"ive and tremendously stimulating. Gibson's work was widely imitated, in particular by the short-lived but innovative "Max Headroom" TV series. See cyberspace, ice, jack in, go flatline.

Since 1990 or so, popular culture has included a movement or fashion trend that calls itself `cyberpunk', associated especially with the rave/techno subculture. Hackers have mixed feelings about this. On the one hand, self-described cyberpunks too often seem to be shallow trendoids in black leather who have substituted enthusiastic blathering about technology for actually learning and *doing* it. Attitude is no substitute for competence. On the other hand, at least cyberpunks are excited about the right things and properly respectful of hacking talent in those who have it. The general consensus is to tolerate them politely in hopes that they'll attract people who grow into being true hackers.

Cyberpunk Outlaws and Hackers on the Computer Frontier

Katie Hafner & John Markoff
Simon & Schuster 1991
ISBN 0-671-68322-5

This book gathers narratives about the careers of three notorious crackers into a clear-eyed but sympathetic portrait of hackerdom's dark side. The principals are Kevin Mitnick, "Pengo" and "Hagbard" of the Chaos Computer Club, and Robert T. Morris (see RTM, sense 2) . Markoff and Hafner focus as much on their psychologies and motivations as on the details of their exploits, but don't slight the latter. The result is a balanced and fascinating account, particularly useful when read immediately before or after Cliff Stoll's The Cuckoo's Egg. It is especially instructive to compare RTM, a true hacker who blundered, with the sociopathic phone-freak Mitnick and the alienated, drug-addled crackers who made the Chaos Club notorious. The gulf between wizard and wannabee has seldom been made more obvious.